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Rayne, Sarah - 'Spider Light'
Paperback: 416 pages (Aug. 2006) Publisher: Simon & Schuster Ltd ISBN: 0743257324

Antonia Weston, former psychiatrist has to try to rebuild her life, shattered by murder and obsession. When she is released from prison after serving her own sentence for manslaughter, her former boss finds her a small cottage to rent in the quiet village of Amberwood.

The cottage is in the grounds of Quire House, now open to the public, in the past the family home of Thomasina Forrester. Over a century ago, Thomasina was a woman of money and influence, overseeing a trust that provided support for Latchkill Asylum. Latchkill is a malevolent place which has a profound affect on the local area and the people who live nearby. Maud is one of those people, her father runs the local mill Twygrist, and Maud, young, innocent and motherless is pulled into Thomasina's influence.

Antonia, in an effort to put aside the past events in her own life, forms a tentative friendship with one of the curators at Quire and finds herself increasingly drawn to finding out more about Quire House, Thomasina Forrester and Twygrist Mill. Although Latchkill has long been pulled down, Twygrist Mill still stands, derelict and menacing in the village and it still has a profound affect on people, not the least Antonia herself.

SPIDER LIGHT moves backwards and forwards between the past and the present, revealing more of Antonia's own experience and the story of Thomasina and Maud. Both threads have a central core of personal and sexual obsession which increasingly becomes more twisted and dangerous. Both stories have consequences that rapidly escalate and the results for Thomasina, Maud and Antonia are dire. All the way along, Twygrist Mill remains a focal point for so much anguish.

SPIDER LIGHT is Sarah Rayne's 4th book, a psychological thriller with a clever intertwining of the past and the present. SPIDER LIGHT is a reference to the half-light that comes at certain times of the day, the time when spiders sneak around, the light soft and eerie. It's an image that is used throughout the book to impart the sinister look and feel of Latchkill Asylum. It's also used to describe that half-world between madness and sanity, and it works. It imparts a creepy, half-light, enclosed, fuzzy world where nothing is clearly defined and nothing is quite right with that world.

SPIDER LIGHT is a great book, but don't make the mistake I did, reading it in the middle of a heavy, dull, spidery light, smoke-filled atmosphere from local bushfires. Try it in the bright sunlight, but definitely try it.

Read another review of SPIDER LIGHT.

Karen Chisholm, Australia
December 2006

Details of the author's other books with links to reviews can be found on the Books page.
More European crime fiction reviews can be found on the Reviews page.

last updated 31/05/2009 09:13